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Janelle Monáe (The Pearl Theater)

Django Jane

So, it’s your girl, hitting you off with something new. I was kind of waffling back and forth about how I wanted to grow this portfolio. I scrubbed most of the irrelevant junk so there’s probably a lot of dead links out there in the world, oops. I had outgrown the Hello Salvation! name and I decided to become unlovely. It’s something that’s always been stuck in my head creatively. I had thought I had outgrown comparing myself to others but there’s still a little voice inside that judges myself harshly. So, instead of running from it, I embraced it. On the outside, it looks like I have it all. But the fact is, I don’t. I’m left of center, and in the words of Miss Monáe, it’s right where I belong. I’m a dirty computer. I’m unlovely. And that’s okay.

Speaking of which, this is my long overdue review of her show at the Pearl Theater at the Palms last week. I was unsure if I would even make it because midweek shows are harsh on someone who has to work the next day. But Vegas got the short end of the stick, tour date-wise, so I made do.

The set list:

Dirty Computer
Crazy, Classic, Life
Take a Byte
Screwed
Django Jane
Q.U.E.E.N.
Electric Lady
Prime Time / Purple Rain musical breakdown
Pynk
Yoga
I Like That
Don’t Judge Me
Make Me Feel / I Got the Feelin’ musical breakdown
I Got the Juice
Cold War
Tightrope

Encore:
So Afraid
Americans

As you can see, a little bit of everything from Dirty Computer, the ArchAndroid, and the Eephus EP. Her energy level stayed high, and we were out by 11 or so. Can’t ask for more from your favorite artists. During the preshow (I thought St. Beauty was supposed to perform, and I got to my seat around 8, and the tech guys were tech’ing), they were piping in Wondaland artists. Jidenna, my love…. anyways.

I love when artists showcase their aesthetic in their lives shows. It brings together the soul of the project when they do. Janelle worked in the throne from the Django Jane video (see the featured image), the pussy pants from Pynk (which I wish they sold at the merch table!), and her musical breakdown of Purple Rain after Prime Time, as tribute to her mentor, the indomitable Prince. I was also feeling the kinda blunt hat she’s been wearing this era. Very Janet Jackson circa Rhythm Nation.

I hope she doesn’t think our lack of energy at the beginning was a reflection on her. It was Tuesday night and I’m fairly sure 95% of the crowd came from work, like I did. But she’s an amazing performer, and she commanded the crowd and her music like a ringleader in a colorful musical circus. Because that’s what it felt like. A glorious celebration of the female identity through music and lyrics and powerful visuals.

I’m glad artists like Janelle exist for odd little ducks like me. I love her Metropolis vibe because of course, that’s one of my favorite movies of all time. I’ve got plenty of family and friends who are queer, and I’m their biggest ally whether they know it or not. I celebrate their energy and uplift them as much as I can in my own way. Seeing her and supporting her was one way I did it.

A few of my favorite pics. I shared a few and the intro she performed to “I Like That” on my Instagram, if you want to check it out. I didn’t tape the whole thing because I wanted to live in the moment.

All in all, Janelle Monáe puts on a helluva show, and you’re missing out on one of the greatest performers of my generation if you aren’t already feelin’ her vibe. Of all her albums thus far, “Dirty Computer” is the most accessible with its heavy Prince influence and cut to the bone political themes that I hope become irrelevant before I die. If you love what she’s trying to do, work backwards until “Metropolis: Suite I.” I love that she created this character to tell this complicated love story but when you dig deep, we’re all Cindi Mayweather inside. There’s universal truths in science fiction, and Janelle shows that in her body of work. She’s an inspiration. I hope I can be that way in my own creative pursuits.

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